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008 230316b ||||| |||| 00| 0 eng d
020 _a9789027222045
040 _cPK-SiUMT
082 _a809.91 FOK-L 1984 12748
100 1 _aFokkema, Douwe W.
_95220
245 1 0 _aLiterary History, Modernism, and Postmodernism :
_bThe Harvard University Erasmus Lectures, Spring 1983.
260 _aAmsterdam/Philadelphia :
_bJohn Benjamins Pub. Co.,
_c1984.
300 _aviii, 63 pages ,
_c24 CM .
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aIn these lectures, delivered at Harvard University in March 1983, the differences between Modernism and Postmodernism are discussed in semiotic terms, based on a contrastive analysis of semantic and syntactical (compositional) features. They present the major results of research into the literary conventions of Modernism (Gide, Larbaud, V. Woolf, du Perron, Th. Mann) and the innovations of Postmodernism (Borges, Fuentes, Barthelme, Calvino, Hermans). The investigation of innovation in literary history is based on a concept of literary evolution, launched by the Russian Formalists and elaborated by reception theory and semioticians such as Lotman and Eco. The author argues for further corroboration by means of empirical - textual as well as psychological - research.
505 0 _aLITERARY HISTORY, MODERNISM, AND POSTMODERNISM; Editorial page; Title page; Copyright page; Table of contents; Preface; I. Literary History from an International Point of View; II. Modernist Hypotheses: Literary Conventions in Gide, Larbaud, Thomas Mann, Ter Braak, and Du Perron; III. Postmodernist Impossibilities: Literary Conventions in Borges, Barthelme, Robbe-Grillet, Hermans, and others; Notes.
520 _aIn these lectures, delivered at Harvard University in March 1983, the differences between Modernism and Postmodernism are discussed in semiotic terms, based on a contrastive analysis of semantic and syntactical (compositional) features. They present the major results of research into the literary conventions of Modernism (Gide, Larbaud, V. Woolf, du Perron, Th. Mann) and the innovations of Postmodernism (Borges, Fuentes, Barthelme, Calvino, Hermans). The investigation of innovation in literary history is based on a concept of literary evolution, launched by the Russian Formalists and elaborate.
588 0 _aPrint version record.
650 0 _aLiterature
_xHistory and criticism
_xTheory, etc.
_95221
650 0 _aPostmodernism (Literature)
_95222
650 0 _aModernism (Literature)
_95223
650 6 _aLittérature
_xHistoire et critique
_xThéorie, etc.
_95224
650 6 _aPostmodernisme (Littérature)
_95225
650 6 _aModernisme (Littérature)
_95226
650 7 _aLiterature
_xTheory, etc.
_2fast
_0(OCoLC)fst01353577
_95227
650 7 _aModernism (Literature)
_2fast
_0(OCoLC)fst01024455
_95223
650 7 _aPostmodernism (Literature)
_2fast
_0(OCoLC)fst01073181
_95222
650 7 _aEnglish
_95228
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
_95229
700 1 _aFokkema, Douwe Wessel.
_95230
776 1 8 _iPrint version:
_aFokkema, Douwe W.
_tLiterary History, Modernism, and Postmodernism : (The Harvard University Erasmus Lectures, Spring 1983).
_dAmsterdam/Philadelphia : John Benjamins Publishing Company, ©1984
_z9789027221940
856 _uhttps://books.google.com.pk/books?id=6ouHfKlM43EC&printsec=frontcover&source=gbs_book_other_versions_r&redir_esc=y#v=onepage&q&f=false
_z( Click here for Online access )
942 _2ddc
_cBK